Download Come Fotografare con il Flash by Susan McCartney PDF

By Susan McCartney

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With a group of 40 American teenagers, I toured the country in a bus and spent a few weeks working on a kibbutz, picking and packing fruit. This experience was pivotal for me. It was not the first time that I had been away from home, but it was my first experience of travel and of being in a different world. I was captivated by the spirit of the country, by what I perceived as the strength and tenacity of the people that I met. The life that they were living seemed in stark contrast to my sheltered suburban life.

Within music therapy this was exemplified by its rejection of “music healers” or “sound healers” from its circle (Summer 1996). In addition, there has been a large debate within the field about the boundaries of music therapy and communitybased music, and attempts to incorporate both approaches under the title of community music therapy (Ansdell 2002). Within art therapy this ambivalence was exemplified by an editorial in the journal of the American Art Therapy Association entitled “When the edges bleed…” (Wadeson 1996).

Rogers, N. (1993) The Creative Connection: Expressive Arts as Healing. Palo Alto, CA: Science and Behavior Books. Rossiter, A. ” American Journal of Orthopsychiatry 70, 2, 150–161. W. and Sue, D. (1999) Counseling the Culturally Different: Theory and Practice, 3rd edn. New York: John Wiley. Summer, L. (1996) Music: The New Age Elixir. Amherst, NY: Prometheus Books. Wadeson, H. (1996) “Viewpoints: When the edges bleed…” Art Therapy: Journal of the American Art Therapy Association 13, 3, 208–210.

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