By Richard Dyer MacCann, Editor
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Additional info for Cinema Journal, Volume 8, Issue 2, Spring, 1969
Sarris' attitudes are one sign of the increasing specialization and consciousness of film historians as a community of scholars united by shared experience. -Michael Budd Kael, Pauline. Kiss Kiss Bang Bang. Boston, Atlantic-Little Brown, 1968 (New York, Bantam paperback, 1969), 370 pp. Crowther, Bosley. The Great Films: Fifty Golden Years of Motion Pictures. New York, G. P. Putnam's Sons, 1967, 250 pp. Crist, Judith. The Private Eye, the Cowboy, and the Very Naked Girl: Movies From Cleo to Clyde.
New York, Holt Rinehart and Winston, 1968, 271 pp. Simon, John. Private Screenings. New York, Macmillan, 1967, 303 pp. Schickel, Richard and John Simon (editors). Film 67/68. New York, Simon and Schuster, 1968, 308 pp. Books of collected film reviews hardly existed in this country five years ago. James Agee's mellifluous and convoluted sentences ignited almost as many young people as did Eisenstein's authoritarian didacticism in an earlier decade, but Agee on Film held the 38 / CINEMA JOURNAL dreamed of being a reviewer.
I have bought little cameras in order to make a film if I can find the money. I will CINEMAJOURNAL/ 35 shoot it in 16 mm. The cinema is a metier . nothing can compare to the cinema. The cinema belongs to our times. It is "the thing" to do. During the shooting of The Trial, I spent marvelous days. It was an amusement, happiness. You cannot imagine what I felt. The American Cinema is an evaluation of the life work of some two hundred American directors of the sound era. , and Miscellany. In addition, there is a valuable listing of the most important films of each year from 1915 to 1967, and an even more valuable alphabetic index to American sound films, which includes date of release and director, and which must be among the most accurate and complete ever compiled.