Edited by way of popular Allen specialists, A better half to Woody Allen offers a suite of 26 unique essays at the director’s motion pictures. Contributions supply a few divergent serious views whereas increasing the contexts within which his paintings is understood.
• A well timed spouse through the authors of 2 of crucial books on Allen to date
• Illuminates the movies of Woody Allen from a few divergent severe perspectives
• Explores the contexts within which his paintings may be understood
• Assesses Allen’s notable filmmaking occupation from its early beginnings and investigates the conflicts and contradictions that suffuse it
• Discusses Allen’s attractiveness as an international cinematic determine
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Extra info for A Companion to Woody Allen (Wiley-Blackwell Companions to Film Directors)
Die unbegriffene Begrenztheit der Kunst Die asthetischen Positionen eines Film-Realismus, wie wir sie in fast allen Filmtheorien, wenn auch in Abwandlungen, vorfinden, fallen in ihrem In· sistieren auf objektive Qualitaten von Kunst als Produkt eines biirgerlichen Subjekts (und damit als subjektiver Riickzug) weit hinter die klassische Asthetik, aber ebenso hinter die Kritische Theorie zuriick (Adorno wirkt geradezu fortschrittlich gegeniiber so mancherlei Filmrealismen): Was im Film so anschaulich erscheint, ist das gesellschaftlich vermittelte BewuBtsein der Filmschaffenden, wie es sich - dem Werk und Produkt immanent als Geist der Sache darstellt.
Theories, Lectures Cinema. Theories, Lectures. Textes reunis et presentes par Dominique Noguez. Paris: Klincksieck 1973. Jean-Luc Comolli and Jean Narboni, Cinema/Ideology/Criticism. - In: Movies and Methods. Umberto Eco, Die Gliederung des fIlmischen Codes. - In: Knilli, Semiotik des Films. , Einftihrung in die Semiotik, Miinchen 1972. Serge Eisenstein, Vom Theater zum Film. Ziirich 1960. Werner Faulstich, Einflihrung in die Filmanalyse. Tiibingen 1976. Werner Faulstich/Ingeborg Faulstich, Modelle der Filmanalyse.
Von Franz Everschor. Diisseldorf 1964. Peter Beckmann, Formale und funktionale Film- und Fernsehanalyse. Diss. phil. Stuttgart 1974, Ms. ), Poetik des Films. Miinchen 1974. Giinter Bentele, Bemerkungen zur Filmsemiotik und semiotischen Filmanalyse. In: medien + erziehung, H. 1/1979. David Bordwell, Citizen Kane. - In: Movies and Methods. Christine Brinckmann, Legitimation des Spielfilms als Unterrichtsgegenstand. - In: Diskussion Deutsch, Heft 14, 11/1973. Noel Burch, De "Mabuse" "M": Le travail de Fritz Lang.